There is, or so I've been given to understand, One who has numbered all my days.
Despite the occasional pointer in the form of various aches and pains, however, no clear indication of the date of my last go-round has been vouchsafed to me as yet.
Which is a bit annoying, though not because I'm desperate to husband such energies as remain in order to produce one final creative flourish before gasping my last or anything like that.
Someone mentioned on social media recently that Dennis Potter's Pennies From Heaven has not been broadcast or made available via streaming services for quite a few years. To be clear, that's the original 1978 TV series about a naive and optimistic songsheet salesman (Bob Hoskins), using 30s and 40s recordings to which actors mime, not the US film adaptation. In the book Potter on Potter the writer told Graham Fuller his thoughts about the latter:
... they failed to understand that it was supposed to be a home-made musical ... I was shown the schoolroom set ... a simulation of a genuine rural Illinois schoolroom of the thirties - and I thought it was great. Then they said, "Now we'll show you the fantasy schoolroom," which was this much bigger, all-white duplication of it. That was the moment I realised they were never going to make it work, but there was no way that could be conveyed. The whole thing was running, the cake was baked, and it was eating itself.
Before I review another book about the experience of being a backing musician for a doo wop group I thought I'd repost this assessment of Michael G. Devlin's account of working with the G-Clefs of I Understand and Ka-Ding-Dong fame. I've corrected a few of my own typos - so much for my criticism of his style - but otherwise left the piece much as it was.
It has to be said at the outset that this is not, in the technical sense, a well written book: there are grammatical errors or infelicities which mean you occasionally have to rewrite a sentence in your head to make sense of it - and don't get me started on the apostrophes. Was there really no one to cast an incisive eye over musician Mike Devlin's MS before it was shared with the world?
That said, this is still a compelling tale: stick with it and you will learn to filter out the blemishes, like tuning out the bacon sizzle on a 78 once the music grabs hold. And it is liberally illustrated with photographs of the group in action and posters and flyers for gigs.
If you're reading this blog then you will probably know that Jerry Butler was a member of the Impressions, a doo wop/soul group which also featured his childhood friend Curtis Mayfield. For Your Precious Love, which Butler cowrote and sang lead on, was a meld of doo wop and gospel which sounded as though it had been recorded in a cathedral; it was a big hit on Vee-Jay Records in 1958 and is now regarded as a doo wop classic.
Butler was unexpectedly given top billing on that release, which created some bad feeling within the group and eventually led to his decision to go solo. Apparently the distinction had been made on the record because the company reasoned that having two acts on their books would be better than one, having already made what they considered a mistake by not giving Pookie Hudson top billing with the Spaniels.
