Advance publicity for Finding Fame, a documentary about David Bowie's early years, promises newly unearthed material; the enterprise has even been injected with an element of jeopardy by a question mark over whether a particularly fragile piece of videotape, not included in preview copies of the programme, will be restored in time for the scheduled UK broadcast on BBC 2 on the 9th of February.
It will undoubtedly be worth watching either way but I note that at least one reviewer has already mentioned that "the significant role played by ’60s manager-mentor Ken Pitt in Bowie’s development is largely overlooked", so I'm guessing that the answer to the question posed in the title of this piece is likely to be no.
Pitt is the obvious link between Bowie and Alan Klein, whose album Well At Least Its [
sic] British was released on Decca in 1964, and there is a strong case to be made for Klein as an influence on David Bowie's approach to songwriting, particularly on his first album.
For those unaware of Alan Klein I will try to sum up his importance both to Bowie and to the development of British pop generally - but if you're already confused at this early stage perhaps I need to point out that the Beatles' sometime manager was
Allen Klein.