Gnome Thoughts ... 37 (Over the Wall We Go)

There hasn't been much to add to this series of posts about Bowie's early influences lately, but idly looking through post 16, about the original version of My Old Man's a Dustman (you can read it here), I suddenly remembered where I'd heard the term "nana" used on a record before, namely a composition by one ... David Bowie.

Stands back in amazement, as Eddie Large (ne McGinnis) used to say. Actually, the version I heard, on BBC Radio 2's Sounds of the Sixties a while back, was actually by Oscar (aka Paul Nicholas), embedded below, alongside what sounds like a pretty rough demo version by Bowie.

The arrangement on the Paul Nicholas recording is brassy and bouncy, calling to mind Quincy Jones's This is the Self Preservation Society, though I'm not sure, and can't be bothered to check, which came first..

While it would be a cheap gag to describe the "Oscar" version as winning, there is one detail which I can't resist pointing out as further evidence of what can only be termed intertwangularity in these posts. There is a direct  quotation from Spike Milligan's Wormwood Scrubs Tango produced by George Martin: we hear a prisoner who is desperately attempting to file the bars exhort the musicians, who've suddenly stopped: "Keep it up lads - another chorus and we're out."

Trouble is, that explicit invitation to compare this song with the material Martin produced for Peter Sellers or Spike Milligan in the fifites does show up the limitations of Master Jones's composition.

Arena: Produced by George Martin (BBC documentary)

One of the better sketches in the variable BBC comedy series Big Train - in fact, the only one which has stayed with me - imagines a heavily bearded George Martin as a Terry Waite-style hostage, speaking at a press conference after his release. Whatever question Martin is asked, he immediately responds with one or other of the well-worn anecdotes about the Beatles: not realising John was high when he sent him to the roof  for a breath of air, etc.

I don't know what the average viewer made of it, but for someone who thinks about the Beatles maybe a little too much (and hey, there's a dullblog for that), it was screamingly funny - on a first viewing, anyway. If you do fall into the latter category, try it if you haven't seen it:

Gnome Thoughts ... 18 (Myles Rudge and Ted Dicks programme)

Have just listened to, and thoroughly recommend, "Right", Said Ted and Myles, which can be heard until October 26th on BBC Radio 7 by going to the page here, where you can even find a link to my earlier entry about the pair (it seems I constitute the "buzz").

The programme, presented by Philp Glassborow, was first broadcast in 2004 and appears to be drawn from a single interview in which Myles Rudge (lyrics), Ted Dicks (music) and Bernard Cribbins were all present, plus some additional contributions from George Martin.

But this is not going to be a review so much as a noting of points in the programme which have a bearing on this series of posts: in other words, how do these songs fit alongside those of Alan Klein and others of that era?

Gnome Thoughts ... 15 (Myles Rudge and Ted Dicks alert)

This is to alert readers that a programme about the writers of Bernard Cribbins' comedy songs, Myles Rudge and Ted Dicks, is going to be broadcast on BBC Radio 7 on Tuesday 19th October at 2.30pm if you're in the UK. And even if you're not, Radio 7 has a Listen Again facility for one week.

Don't bother clicking (or, armed with this new knowledge, refrain from further clicking of) the above image, which is a screengrab. Instead, go to the relevant BBC 7 page here, where it should be available on the BBC iplayer soon after the broadcast.

I'll be very interested to hear the programme, as I don't know much about the writers (Rudge is on the right, above), although I do remember reading Noel Coward praising one of the Cribbins hits on Desert Island Discs.