What? No, that's just a screengrab. Find a direct iplayer link for Street Corner Soul Episode 3 here, assuming you are reading this within a week of its posting. I'm going to drop any pretence of critical assessment of this radio documentary series and simply urge you to listen to it if you want to learn, or to learn more, about doo wop. Each episode is on BBC iplayer for a week and you should be able to access it in America as well.
Showing posts with label moonglows. Show all posts
Showing posts with label moonglows. Show all posts
19 August 2012
Doo wop documentary Street Corner Soul Episode 3 now on BBC iplayer for one week
What? No, that's just a screengrab. Find a direct iplayer link for Street Corner Soul Episode 3 here, assuming you are reading this within a week of its posting. I'm going to drop any pretence of critical assessment of this radio documentary series and simply urge you to listen to it if you want to learn, or to learn more, about doo wop. Each episode is on BBC iplayer for a week and you should be able to access it in America as well.
22 May 2011
American Hot Wax revisited (Alan Freed biopic)
Saw American Hot Wax today for the first time in about thirty years. Enjoyable enough, although more bitty than I remembered. There are good moments when Tim McIntyre as Alan Freed shows that the music matters to him, but as the film is given over to a concert after around the one hour point there isn't a lot of time to develop character.
3 August 2010
Harvey Fuqua: three songs
Mentioning Alan Warner in the previous post prompted me to look for an image of the doo wop compilation LP he masterminded which included You're So Fine. I didn't immediately find it but did come across a site, here, which is indeed by the same man, as his bio includes the information:
An Englishman who started out working for EMI Records in the UK, Alan was transferred to Los Angeles in the mid-70′s after having had some success producing records of Laurel & Hardy and vintage Hollywood Musicals, plus a multi-artist series called “The Many Sides Of Rock’n'Roll”, and far too many other compilations to mention.
What he modestly doesn't mention (assuming the bio is self-penned) is that his compilations of film soundtrack material were regularly praised by UK critics for the quality of the transfers - yes, even in those vinyl/cassette days it made a difference. And I did eventually find images of the doo wop compilation in the Many Sides ... series -see top and immediately below. Doubleclick on the image below for readable tracklisting and notes, which I presume were written by Mr Warner himself- another building block in my doo wop education, so a belated thank you.
I also note that his website pays tribute to the late Harvey Fuqua (top) by drawing attention to his songwriting credits. I didn't realise that Harvey Fuqua had written That's What Girls Are Made For, a very early (1961) record by the Spinners which I first found on a really obscure doo wop tape around the early eighties. Although - or because - the lead throws in quite a few Sam Cooke mannerisms it's a beautiful record - and as I hear it in my mind, before I scan youtube, I'm assuming Harvey would have been involved in the arrangement too, as the strings bear a close resemblance to the bridge of an obscure Moonglows side I particularly like called She's Alright With Me.
21 February 2010
Stand By Me - Part One
I can't remember when I first heard Stand By Me. It may even have been the Lennon reworking, as my earliest definite memory is of dancing to his version during one of the regular rock'n'roll nights at Tiffany's, Glasgow, in 1975, the enduring Rollin' Joe reassuring us (or himself): "John Lennon's coming home."
Labels:
alan freed,
beatles,
ben e king,
bill millar,
cholly atkins,
chuck berry,
clyde mcphatter,
dave marsh,
drifters,
gerri hirshey,
inkspots,
leiber and stoller,
marv goldberg,
moonglows,
phil spector
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